Spanish Housing Market Update: April 2026 Land Registry Data
Let’s dive straight into the latest provisional data from Spain’s land registry (Colegio de Registradores) for April 2026. If you are tracking the Spanish property market, the headline figure shows a gentle tapping of the brakes nationally, but as always with Spanish real estate, the real story is entirely local.
Here is exactly what happened to residential property sales in April 2026 compared to the same month last year.
National Overview: April 2026
Total Residential Properties Sold: 52,522
National Year-on-Year (YoY) Change: -3.2%
Data Type: Provisional Land Registry Data (Datos Provisionales de la Estadística Registral Inmobiliaria).
Scope: This data specifically isolates residential property sales. Total property transfers (including rustic land and commercial urban properties) are higher.
Regional Performance: Key Highlights
The national 3.2% dip doesn’t mean every market is slowing down. We are seeing a major divergence between regions. Catalonia is completely bucking the trend with strong growth, while Madrid and Valencia are seeing significant double-digit or near-double-digit contractions.
The Growth Leader
Catalonia: +6.2% (The standout performer of the month, showing strong resilience against the national trend).
Stable / Minor Contractions
Murcia: -0.7% (Essentially flat, holding its ground).
Canary Islands: -1.7% (Mild dip, outperforming the national baseline).
Andalusia: -3.7% (Moving roughly in tandem with the overall national average).
Balearic Islands: -4.0% (A slight cooling off in a high-demand, low-inventory luxury market).
Sharp Slowdowns
Valencian Community: -8.2% (A notable correction for what has been a massive market hotspot recently).
Madrid: -11.1% (The sharpest decline of the month, indicating heavy inventory strain or buyer resistance to peak pricing).
The Bottom Line
The Spanish market isn’t crashing; it’s fragmenting. While buyers in Madrid and Valencia might be finding a bit more breathing room as sales volume drops, Catalonia is still running hot. If you are looking to buy or sell, you need to ignore national headlines and look strictly at your specific zip code.
Hello, I hope you are well
I am a journalist from The Sunday Times in Spain and I’m looking to speak to you about the demographics (nationalities) buying on the Costa Del Sol. It has been 10 years since the Brexit vote and I wondered if the demographic has shifted. I have noted a lot more Swedes buying in the area – is this new?
Let me know? I am out reporting today but let me know if you have an office on the Costa del Sol I can pop in?
Many thanks
Katie
Katie GatensEurope Correspondent
The Sunday Times
1 London Bridge St
SE1 9GF
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Здравствуйте! как добраться из парижа в версаль Я увлечён изучением жизнеописаний известных дизайнеров и сегодня готовлю обзор о жизни Коко Шанель, в частности о её семье и детях. Нередко встречаются спорные сведения, и хотелось бы прояснить, какие факты действительно засвидетельствованы, а что — всего лишь легенды. Наиболее интересуют детали, которые раскрывают её личную сторону, но почему-то очень мало попадают в основные биографии. Буду признателен, если кто-то сможет поделиться ссылками на академические исследования или интервью с экспертами, которые хорошо знали эпоху и обстоятельства жизни дизайнера. Наткнулся на интересные ресурсы, но хотелось бы расширить круг источников. Заранее очень благодарен за помощь и любые необычные находки!
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Hi all,
I’ve been testing with several common at-home methods for discovering my skin undertone—basically trying to find out if I lean more cool, warm, or neutral. I wanted to see which DIY test might give the most consistent clue, so I compared three common approaches: checking vein color, the gold vs. silver jewelry test, and using photos from my phone camera with different lighting.
For vein color, my wrists mostly show a mix of blue and green, which left me uncertain whether I’m cool or warm. The jewelry test was similarly confusing; silver seemed to highlight my features better in natural light, but gold didn’t look off either, especially indoors under warmer lighting. The camera test was the strangest—depending on whether I took selfies in daylight or under a yellow lamp, the apparent undertone shifted significantly.
I even came across a write-up that tested these DIY methods side by side and discussed their pros and cons. It brought up some interesting points about how lighting and subjective interpretation can really change results. That article is worth a look if you’re trying to cut through conflicting advice free colour analysis .
At this point, I’m a bit stuck. None of these tests alone has given me a clear answer, and I wonder how much they truly capture skin undertone without professional tools. Has anyone had consistent experiences with one particular method or maybe combined tests that helped nail it down? Maybe there’s a overlooked approach that’s more dependable when doing this at home?
I’d value any thoughts or recommendations. What worked best for you, and did you find any DIY methods reliably reflect your undertone once you saw your full color palette? Many thanks!
Hey all, I just took a 16 season color analysis assessment online because I was curious about diving deeper than the traditional four seasons most people talk about. My initial fast test (the classic spring/summer/autumn/winter) gave me a pretty clear result—Soft Summer—but this new 16 season result strikes me as a bit more complicated. It suggested I’m something like a Soft Summer transitioning toward Light Summer or maybe even a Cool Summer subtype, and there are all these notes about contrast levels, temperature nuances, and delicate brightness differences. Honestly, it’s a bit daunting trying to figure out whether these finer distinctions actually help with deciding on colors for everyday wear or if it just makes things more confusing for someone like me who’s just working to build a comfortable, wearable wardrobe.
To try and make sense of it, I came across a helpful infographic that breaks down the 16 season profiles and explains how they differ from the simpler 4-season model. It’s really informative but also raised more questions about how much I should trust these smaller shifts in palette, especially since some colors recommended in one subtype seem pretty similar to what I’ve always liked wearing anyway.
Has anyone else here gone through the 16 season system and found that it really added value beyond the basic four seasons? Or did you feel like it was just adding added layers that didn’t make picking clothes easier? I’m interested about personal experiences or even any tips for interpreting these nuanced categories without getting too mixed up.
Here’s the infographic I mentioned if you want to check it out: color analysis pro cancel subscription . Any thoughts or suggestions would be really appreciated!
Hi friends,
I’m a novice professional who’s been seriously trying to pursue a minimalist lifestyle, especially when it comes to my wardrobe. Over the last recent months, I’ve been working on paring down my clothes to just a few adaptable pieces, but I’m uncertain with how to incorporate my personal seasonal color palette in a way that doesn’t feel narrow. I’ve taken some time to figure out my seasonal colors (leaning towards a Soft Summer palette), and I adore how those shades seem to complement my skin tone and overall look.
The dilemma is: I want my closet to stay minimal and curated, but I also worry that sticking to just one season’s colors means my outfits start to blend into each other too much or feel repetitive. It’s hard to get both variation and coordination without just defaulting to basic neutrals or black. I don’t want to lose the vibrant touch that seasonal colors can bring.
I came across this thread on minimalist capsule wardrobes sorted by season, which has some valuable insights: color analysis pro . It got me thinking about how others might integrate color theory without ending up with a too-restrictive setup.
Does anyone here have actionable advice on selecting a minimal yet versatile range of seasonal colors? Maybe a way to build a capsule wardrobe that feels put-together but also diverse enough in texture, shade depth, or accent colors to keep things varied? Are there good strategies for coordinating seasonal colors to expand options without straying too far from the palette?
Thanks in advance—I’m quite interested to hear how others balance these elements while keeping a streamlined closet. Looking forward to your feedback!
Hey everyone! I’m rather unsure about the Deep Summer and Dark Summer palettes—both supposedly complement my features, but when I pull out clothes marked for each, I get conflicting impressions about whether the colors really suit me or just look off. I have a deep teal sweater labeled Deep Summer and a dark navy piece tagged Dark Summer. They feel close in tone, yet sometimes one makes my skin appear luminous while the other washes me out. Is it just me making too much of this, or are the palette boundaries really that blurry?
I’ve been trying to curate my clothes so I’m not mixing these colors haphazardly, but most online explanations use very broad labels like muted, cool, or deep without clear side-by-side comparisons. The color ranges overlap a lot, and I wonder if a color is really specific to one season or just falls in the same zone.
To clear this up, I found a visual comparison gallery showing key colors for both palettes side by side soft winter . It helped a bit, but I’m still uncertain about the boundaries. Are the purples sufficiently distinct, or do I rely on how a color appears in natural light? Do people find Deep Summer leans toward quieter cool tones while Dark Summer is more intense?
If anyone has experience with both palettes or examples where a color worked for one but clashed with the other, I’d truly value your experience. Trying to be more mindful of my outfit decisions instead of guessing. Thanks for any guidance or helpful suggestions!
Excellent read, I just passed this onto a colleague who was doing some research on that. And he actually bought me lunch because I found it for him smile Therefore let me rephrase that: Thank you for lunch!
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I’m trying to make a small wardrobe easier to combine, and I keep coming back to autumn colors. I don’t want to buy a whole palette based on a quiz result. I often reach for softer warm colors instead of sharp bright ones. That impression could be about personal taste rather than what suits my face, so I want to check it more carefully. I’d like to test one accent alongside two everyday neutrals first. Olive, camel, and rust are easy to find secondhand near me. I can compare them in natural light before spending money, ideally with the colors next to my face rather than laid out on a screen. A useful color should fit my existing outfits as well as look good alone. While researching what is my color palette I found several labels, but I would prefer a small real-world test over memorizing every category. Would you begin with neutrals or a more obvious accent? I can keep notes on how the colors look at different times of day. The goal is a handful of pieces I will use repeatedly. I would rather learn from a few comparisons than chase a perfect label. How would you test an autumn direction with just a few borrowed garments, and what would make you reconsider it?
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I am in a small theatre production next month, and the costume designer suggested face-framing bangs for my character. That sounds lovely in a still photo, but I have to pin my hair up between scenes, sometimes in less than two minutes. There is also a lot of movement on stage. A fringe that falls into my eyes would be distracting, particularly with bright lights facing the audience. I need to see my marks clearly through each scene. My hair is fine and mostly straight, so I cannot count on a styled bend staying in place for the whole performance. I found curtain bang lengths helpful for naming the options, but I need to decide where the shortest pieces should actually end. Would a longer fringe be easier to pin back quickly? I can rehearse with clips before cutting anything, although the final costume headpiece may change how the hair sits. I can practice the change during a full rehearsal. I would also like the cut to work offstage. I would rather adjust the styling than spend every scene fixing loose strands. Has anyone dealt with bangs during quick costume changes? What length gave you a useful frame without blocking your view?
I am several months into returning to my natural gray and the changing contrast is making some dependable clothes look unfamiliar near my face. I want to observe the transition patiently while continuing to use most of what I own. Deep denim is still easy to wear, but a few warm beige and brown tops now seem disconnected from the cooler hair around my temples. It seems wasteful to rebuild the wardrobe before the color settles, especially because the dyed lengths will remain for quite a while. I have been reading this personal color analysis as a simple log while my overall contrast changes. Should I choose a tiny set of comparison fabrics first, and should I then wait until more natural hair has grown before changing larger pieces? I am open to using existing accessories during the transition. Which changes are worth making early, and which should wait?
My phone keeps making my skin look different in every room, so I am questioning the undertone notes I made from photographs. Near a window, my face appears fairly neutral. Under a ceiling light it looks warmer, while the camera sometimes pushes the whole image toward pink. Even the white wall changes color between shots. I found descriptions of skin tone analysis but I do not know how much faith to put in an automatic phone image. I would avoid direct sunlight on my face. I can disable the portrait effects. I could hold the same white card beside my face and photograph it at roughly the same time on several days. Would fixed exposure and white balance help? I could note the settings beside each photograph. I would also compare the actual fabric in a mirror, because the photo may be recording the room more than my skin. I am trying to avoid chasing tiny shifts in an image. For people who have done this carefully, which lighting conditions gave consistent observations, and when did you decide a photo was misleading? I can repeat the comparison before drawing a conclusion. A practical checklist would help me separate the camera settings from the colors I am trying to judge.
A friend has invited me to a small gallery opening, and the invitation gives no useful clues about what to wear. I would like to wear black trousers and a simple cream shirt because both fit well and feel comfortable. I want one detail that feels personal, but I do not want to spend the evening adjusting an unfamiliar outfit. I have been using color analysis while trying to keep my attention on how the pieces combine rather than reaching a firm conclusion about my season. Would you add a muted blue scarf to these pieces, or let a textured bag provide the extra interest? I will probably walk to the venue, so comfortable shoes and a layer for the evening also need to fit the plan. What single accent would you try first to make this combination feel intentional while keeping it easy to wear?
Packing for a move has made me notice how many similar tops I own but rarely wear. The difficulty is that each piece looks reasonable alone, yet several colors seem awkward beside my usual trousers. My aim is to keep fewer clothes while preserving some variety, because wearing the same combination daily would bore me. I have started laying clothes together on the bed to distinguish useful combinations from purchases that need extra items. I found a page about color analysis and would like to use the idea as a starting point for these comparisons. I usually reach for dark blue, whereas cream, rust, and dusty pink leave me unsure about possible combinations. Is choosing two dependable neutrals a sensible starting point, or would you first look for one versatile accent color? Another question is how to tell whether a disappointing outfit comes from its color or from the garment shape. If you have reduced your wardrobe successfully, which comparison helped you decide what deserved space in the final selection?
На этот раз выбираю побережье с более прохладной погодой и рассматриваю север Испании. Думаю о поездке, в которой можно чередовать прогулки у моря, небольшие города и спокойные дни без плотной программы. Не строю отпуск только вокруг купания, хотя совсем исключать его не собираюсь. Пытаюсь понять, лучше ли искать широкий пляж или укромный залив. На фотографиях оба варианта выглядят привлекательно, а вот ощущения при ветре и пасмурной погоде представить сложнее. Для выбора района сначала изучаю соседние населённые пункты. В частности, рассматриваю города на севере испании и ищу рядом прогулочные маршруты на день без пляжа. Не стремлюсь объехать всё побережье за одну поездку. Предпочитаю остановиться в одном районе и гулять вокруг него. Отдельно рассматриваю доступность магазинов и кафе, чтобы в дождливый день не зависеть от длительной поездки в другой город. Как бы вы совместили спокойный пляжный отдых и прогулки в таком формате? Помогут впечатления о погоде у воды, доступности пляжей и атмосфере городков.
Готовимся к поездке в Прагу, и дочь хочет заранее понять, кому посвящены памятники на городских площадях. Хочу придумать небольшой разговор об истории, который можно продолжить на прогулке, без экзамена по датам и фамилиям. Сейчас собираю сведения по запросу Ян Гус. Но пока не понимаю, какие подробности помогут объяснить события ребёнку, а какие лучше оставить для более позднего чтения. Думаю выстроить разговор вокруг одного понятного конфликта, чтобы ребёнок мог задать вопросы и самостоятельно обсудить мотивы участников событий. Важно не смешать исторические сведения с красивыми городскими легендами, иначе потом будет сложно объяснить, почему версии рассказа отличаются. Буду рад опыту родителей: какие вопросы помогли начать разговор и на каком месте дети захотели узнать больше подробностей. Если знаете понятный текст для первого знакомства, поделитесь названием и объясните, для какого возраста он вам показался подходящим. Планируем обсуждать это без спешки.
Готовлю предварительную программу венского выезда нашей небольшой команды. Днём у каждого свои дела, а на вечер хочется предложить одну общую прогулку. Пока обсуждаем только подход к выбору места, без покупки билетов и бронирования. Нескольким участникам важнее посидеть вместе и пообщаться. Другим интереснее посмотреть украшения и пройтись между прилавками. При поиске попался запрос рождественские ярмарки в вене 2025 — добавил эту ссылку в наш общий список для обсуждения. Понимаю, что прошлогодние материалы не подтверждают даты и условия следующей поездки. Поэтому хочу отдельно выписать вопросы, которые проверим ближе к выезду. Сначала собираюсь уточнить расписание и правила посещения. Затем нужно оценить дорогу от места нашей встречи. Заодно выберем альтернативу на случай сырого вечера. У нас будет общая точка сбора и ограниченное время, поэтому полезнее заранее согласовать ожидания каждого, чем пытаться за один вечер охватить все найденные места. Какие сведения вы обычно перепроверяете у организаторов, даже если описание выглядит подробным? Буду благодарен за небольшой список практичных вопросов.
En una ruta por Andalucia nos planteamos dormir cerca de Ronda en una burbuja. La propuesta nos parece curiosa, pero viajariamos en verano y no sabemos cuanto se calienta antes de que caiga el sol. Dormimos mejor en una habitacion fresca. Por eso quisiera saber si la climatizacion funciona toda la noche sin hacer ruido. Ademas quisiera entender si se puede abrir alguna zona al levantarse. He encontrado informacion general sobre casa burbujas ronda pero antes de elegir una fecha quiero preguntar por las condiciones concretas de cada establecimiento. ?Podeis contar como cambia la temperatura desde la tarde hasta la manana? Iremos con equipaje ligero. Queremos pasear por Ronda y llegar despues; importa la hora limite de entrada y si el camino esta indicado. No buscamos una promesa de cielo despejado, porque eso nadie puede garantizarlo. Si queremos saber que sucede si hay tormenta o viento fuerte y si las condiciones de cambio de fecha aparecen por escrito antes del pago. La limpieza de la cubierta y la distancia a otras unidades son otras dos preguntas que llevaria preparadas. Si habeis estado en una burbuja por esa zona, ?que detalle os hizo decidir que la reserva merecia la pena? Agradezco respuestas con fechas aproximadas para situar mejor vuestra experiencia.
I have three full days in Madeira and will be staying in Funchal without renting a car. I would love to visit another part of the island, but I am trying to avoid an itinerary that only works if every connection is perfectly timed. I could visit a coastal village one day, and another for a manageable walk if the forecast cooperates. The bus schedules look workable on paper, although I cannot tell how much time to allow for transfers, stops, and a relaxed lunch. For a first outline I found 3 days in madeira without a car and it helped me list possible places rather than commit to a rigid schedule. Would you keep the last day flexible in Funchal, in case mountain cloud or a missed connection changes the earlier plans? A guided transfer for the walking day is one option, while another option is to keep every outing reachable by public transport. If you have tried this kind of short stay, which day trip felt practical, and what would you skip on a three-day visit? I would be happy to leave some time between excursions.
We will have a few days in Funchal with our seven-year-old, and I am trying to plan one afternoon that still works if rain interrupts our outdoor plans. We have booked accommodation in central Funchal, so we can walk a little, but I would rather avoid a long transfer for a single activity. A museum followed by a short cafe stop might work, provided neither needs advance booking that locks us into a fixed hour. We could spend the remaining time outdoors if the clouds lift. I am less sure which places are genuinely engaging for a child and which are better suited to adults reading every display. A relaxed meal matters more to us than another stop, because an overfilled itinerary usually falls apart by mid-afternoon. While comparing possible stops I came across madeira island blog but I would value advice from people who know what is open and practical this season. Which part of town would you focus on for a flexible afternoon? We can change the order on the day and are happy to skip a stop if the weather or our child’s energy changes. A place with somewhere to sit would help, and we would appreciate any recent notes about opening hours or awkward steps with a stroller. We would prefer a calm afternoon over a checklist of sights.
I volunteer with a local theater group, and our next production needs a wig that works with a fairly simple costume. Most of the outfit is settled: a dark outer layer, a pale scarf, and very little room for other colorful accessories. The shortlist currently contains warm brown, cool brown, and subdued red; buying all three would stretch our small costume budget. My search for a clearer vocabulary for warm and cool shades led me to a discussion reference about color analysis as a starting point for further reading. It seems like background for the conversation; our character design may call for a different effect from an ordinary personal look. Our rehearsal space has different lighting from the performance area, so I do not trust a decision made in that room alone. What order would you use for a daylight check, a costume fitting, and a short test under the intended stage lighting? I would appreciate a practical comparison method that our volunteers can repeat, especially if the first choice needs changing after rehearsal.
I am editing a short podcast introduction with music underneath the first sentence. The cue sounds acceptable alone, but the overlap is harder to judge. Before changing the source, I need to check whether the mix itself causes the distraction. I plan to compare versions with the same voice track and music level. The original export would stay in a separate file throughout the comparison. The narrator has a soft delivery, and the cue includes a sustained background layer. I would listen to the opening both on headphones and on a small speaker, noting whether individual words remain easy to follow at a comfortable volume. I came across suno fix while looking for possible approaches to this question. I have no comparison from this cue yet, so I cannot describe a result. A quieter texture would not be useful if it weakened the entrance. What would you compare first when speech and generated music compete for attention?
I am planning a short background loop for a display that will run continuously during an exhibition. I need to think about the transition between the final section and the opening passage. It seems useful to list boundary issues separately from anything noticeable within the passage. I bookmarked remove suno artifacts while gathering possible references for the second question. Before choosing any processing, I would mark candidate loop points and listen through several repetitions. A separate check on the intended player should establish how it handles the end of the file. Once the transition is understood, I would consider whether any texture needs further attention. Any trial version would stay alongside the original so that the musical character remains easy to compare. The final check would use the actual speakers and the expected exhibition playback level. Are there practical loop-preparation checks that are easy to overlook in a small exhibition?
Our family has accumulated several folders of song sketches. A few tracks were generated, but nobody recorded which exports were kept. My main concern is keeping the original version easy to identify. Any experimental processing would go into a separate folder with a short note. How do you name these copies so that the history stays understandable? One phrase that appears in my background reading is ai audio artifact removal in this context. That wording seems too broad to use as a guarantee about a particular recording. Recording the exact section and the settings would make later comparisons easier. The archive will include a short explanation of where each demo came from, who supplied it, and whether the copy was exported again or changed after the original file was received. I would appreciate a simple naming convention that someone else could follow years later.
I am preparing a generated backing guide for a bassist who records remotely. It works as an arrangement sketch, yet its texture might make the recording brief less clear. I plan to include the tempo, key, chord changes, and a note about the intended bass entrances. Would keeping the original beside a revised guide help the musician interpret the brief? One phrase I encountered was suno fix in that search, though I have no personal results from the linked resource to report. The goal is a clear musical brief that does not turn an unwanted texture into an instruction. The bassist will work in a different recording application, so I would also welcome advice on export format, a shared starting point, and whether a count-in helps prevent alignment mistakes. What would you put in a short delivery checklist for this kind of collaboration?
Our next audio workshop could include a repair comparison. The aim is to help participants describe what they hear before they decide which version they prefer, rather than treating every change as an improvement. A brief generated recording would provide the starting example. Keeping the excerpt constant would be the first rule. A page discussing ai music artifact removal gave me a starting point for the topic, but it does not settle how to structure the exercise. The versions should be presented at comparable listening levels. A first round without labels might encourage independent observations. The original excerpt needs to remain available throughout. I would ask about texture, transients and vocal clarity separately. We could repeat the excerpts in a different order and discuss disagreements, since a single preference vote would reveal little about the reasons behind it. How would you make this demonstration useful and fair?
I am reorganizing a folder of generated songs that has become hard to navigate. Some exports have a faint metallic texture, but I also want to remember exactly what came out of each session. My first instinct is to retain every original. The difficult part is deciding what belongs beside them when I make a more comfortable listening copy. Someone pointed me toward sunofix while looking at possible cleanup approaches. I have not processed this collection yet, so I am asking about the filing policy before choosing a tool. Would you keep repaired copies in a separate directory? I can record the export date, but I am less sure how much processing detail is useful months later. A short sidecar note might be enough. Storage space is not the main constraint. What naming convention has stayed understandable for you?
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Unos amigos y yo buscamos una visita a una bodega mallorquina que permita entender el trabajo detras del vino. Preferimos escuchar como trabajan en cada finca antes que encadenar muchas catas en una sola tarde. He encontrado esta referencia de bodegas de mallorca. Antes de reservar quisiera confirmar si la visita requiere un grupo minimo y cuanto dura realmente la actividad completa. El transporte es una cuestion importante: queremos resolver el regreso antes de elegir una actividad con degustacion. En el grupo hay alguien que no toma vino, asi que valoramos especialmente el contenido de la visita. Nos servirian recomendaciones que expliquen que incluye la actividad y para que tipo de visitante resulta adecuada. Ademas, compararemos el precio final por persona y lo que incluye cada reserva, porque una explicacion del vinedo y una degustacion breve pueden ser propuestas diferentes. ?Alguien puede orientar sobre como organizar esta salida sin encadenar demasiadas visitas?
Estamos preparando una primera visita a Mallorca de tres dias y queremos evitar un itinerario que dependa de correr constantemente. La idea inicial es dedicar una jornada a Palma y dejar las otras dos para conocer paisajes distintos. Nos cuesta calcular los trayectos porque las listas de lugares bonitos no siempre reflejan las distancias reales. Entre las referencias que estamos comparando figura esta de 3 dias en mallorca. Antes de decidir el transporte queremos distinguir las visitas sencillas desde Palma de las que requieren mas planificacion. Preferimos comer con calma y tener margen para una parada imprevista, aunque eso signifique quitar algun lugar famoso. Tambien agradeceriamos una alternativa para un dia de lluvia que no obligue a rehacer todo el viaje. Nos alojaremos en un unico sitio y preferimos regresar a dormir alli cada noche, asi que los desplazamientos de vuelta tambien cuentan al organizar cada jornada. ?Que parada eliminariais primero si el recorrido acaba resultando demasiado ambicioso?
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